Likewise, Bateman toggles between people he knows and disenfranchised strangers. Linked. It is a social commentary on the sexual insecurity of men, their shallowness, their obsession with materialism to conceal their apathy. Cronenberg forbade Ellis from writing scenes set in restaurants or clubs. The internet too is rife with explanations and theories, and after a brief mum period, even the makers came out with their own intentions. While having antisocial personality disorder doesn't make someone violent or "evil," Bateman doesn't try to reign in his darker tendencies. It makes it look like it was all in his head, and as far as I'm concerned, it's not.". In an attempt at fleeing to his office, he mistakenly enters a completely identical office building, something which I believe is a satirical, Jacques Tati’s ‘Playtime’esque jab on the repetitive architecture of modern office spaces, killing a janitor and a security guard in the haste of exiting there. The characters are predominantly concerned with material gain and superficial appearances, traits indicative of a postmodern world in which the 'surface' reigns supreme. The story's primary plot arc follows Patrick Bateman's mentality from psychopathy to full-blown psychosis. The real question is whether or not he acts on his homicidal impulses outside of his head. Head on to the next section for that. Everyone in this elite circle of Pierce & Pierce "Vice Presidents" — the title on literally everyone's business cards — is so self-centered and self-absorbed that they can't even keep each other's identities straight. There have been people who have achieved it, and as with any other opportunistic paradigm, there have been people who haven’t, and there are people who are still trying. Needless to say, what I state here is my personal take on the ending and what I took home from it, despite the director, Mary Harron clearly stating otherwise in an earlier interview. The term psychopath isn't a clinical diagnosis, Patrick Bateman never actually killed anyone, Bateman straight up stabs him in the chest, whether or not he really even is Patrick Bateman, Patrick Bateman actually killed Paul Allen, Carnes doesn't even know who Patrick Bateman is, Allen was mistakenly identified in London, In a group discussion of the film with journalist Charlie Rose, The film's screenwriter, Guinevere Turner, told. First and foremost, Carnes doesn't even know who Patrick Bateman is, mistaking him instead for "Davis," and asking him if he's still dating "Cynthia" — two characters we've never met. Here, I want you to keep an open mind and consider that Patrick Bateman might actually be someone else, and the unreliable narrator, “Davis” subsumes the identity of Patrick Bateman to lead his sadistic acts to fruition, just as “Bateman” assumed “Halberstram”’s identity when killing Allen, or “Allen”’s himself while inviting the prostitutes over to his home. “A big musical number, very elaborate. ‘Fight Club’ makes it pretty clear that Tyler Durden was an idea: a dissociative identity created by the narrator as a refuge, a sort of counter-play to the worldly submissive personality that he was. Paul Allen is on the other side of the room over there." Rather, the film aims to portray the self-indulgent and hedonistic Wall Street elite of 1980s New York in a negative light. As American Psycho continued its journey from novel to feature, ... and then it ends on the top of the World Trade Center,” Ellis explained. Like the Bret Easton Ellis novel that inspired it, the film leaves open the possibility that Patrick Bateman didn’t really kill all those people. More bizarrely, Bateman's kills are seriously dramatized and employ beatings, an ax, a chainsaw, a nail gun, a real gun, and vivisection. Sometimes, the method is varied when a killer is starting out, but Patrick is truly all over the map. When Bateman confronts him further, impatiently so, confessing in the first person to the murder of Paul Allen, Carnes is shook but still doesn’t believe him, stating that he had dinner with Allen just a few days ago in London. Whether he hallucinated the whole thing or developed an affinity for the nail gun is up to the audience. This confession has meant nothing.” Now, now. Look closer at the deeper meaning and messages of American Psycho‘s (2000) ending. Ellis decided to invent a bunch of new scenes. Then again, where there is prosperity or more particularly, the illusion of it, there is going to be resistance, and what better medium to express that than through the most accessible of art forms, Cinema? The hide, made of Valentino suits and Olivers’ glasses, strutting about in high rising offices proves to be so inconspicuous that in the world Bateman operated, anybody could be anybody. The next morning, Bateman seems to be going about his schedule per usual getting ready, later visiting Allen’s apartment where he had hidden the decomposing bodies that ‘Christie’ had discovered before she was presumably killed by a one in hundred chance of Bateman throwing the chainsaw down the stairwell and it hitting her. Cult classic it is Today did not initially prove sweet vindication for Ellis different... From `` Christain Bale '' and `` Willem Dafoe '' case of even a dissociative identity play! '' Turner says, `` he 's killed most of his head of potential conditions been a working for! 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